The Turn of the Screw

The Turn of the Screw by Henry crowd together is a ghost novel written in a purposefully ambiguous way that opens the novel up to an open-ended accession to criticism and interpretation. One of the more common ways that critics physical exertion to critique and analyze this novel is the psycho-analytic glide slope that was coined by Sigmund Freud in the late 19th century and early 20th century. Because of the squashy manner in which Henry James wrote this ghost story, the psycho-analytic approach seems to fit in many circumstances in the novel. James seems to hint at many themes which were impossible to explicitly give tongue to in Victorian England, and most of the corruption that the governess grows nearly hebephrenic over seems to be of an almost exclusively sexual nature. The governess is shown to be a possibly unreliable narrator, due to her frequent shifts of feel about the young Miles and Flora. On one hand, they calculate to be innocent little cherubs to her, while in the next chapter they appear to be conniving, deceitful little imps that live only to deform corrupted and debased by the nefarious ghosts of quint and get off Jessel. In a psychoanalytic reading, sexual symbols and motifs are sprinkled throughout the novel, and can easily be discerned if that is the approach that one wishes to topic with this novel.

        Freudian symbols can be seen throughout the novel in two key places: the place where the governess allegedly sees the ghost of turncock Quint, and the location where she spots the alleged ghost of Miss Jessel. front of all, the governess first comes into visual contact with the apparition of Peter Quint at a tall tower; a nibble of imagery that Freudian psychoanalysts commonly designate as a phallic symbol. In this, then, we can, accordingly with Freuds...

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